Character Assassination in the Imperfect Victim against the World of Male Centricity.

This story contains descriptions of sexual harrassment that readers may find upsetting.

Blake Lively has taken legal action against Justin Baldoni, the director and lead actor, and Jamey Heath, the lead producer of the film ‘It Ends with Us’.

The men hired public relations expert Melissa Nathan, most known for her previous client Johnny Depp, in a similar social media smear campaign against Amber Heard.

Scooter Braun, owner of Taylor Swift’s masters and alleged participant in the edited phone call between Kanye and Swift, is the majority stakeholder in the TAG PR company run by Melissa Nathan.

“He wants to feel that she can be buried,” a publicist working with Mr. Baldoni wrote in an August 2nd message to Ms. Nathan.

“You know we can bury anyone,” Ms Nathan wrote.

Lively filed a complaint in November 2023, claiming Baldoni improvised physical intimacy and discussions of his sex life, including encounters in which he may not have received consent, and claiming Heath showed a video of his wife naked to Lively. Both entered her trailer uninvited while she was undressed or breastfeeding.

Before shooting, she objected to sex scenes he wanted to add since she considered them gratuitous; the alleged changes were a scene for Lively to orgasm on-camera and a detailed scene of the younger actress losing her virginity.

Neither scene appeared in the original novel by Colleen Hoover.

After her complaint, the following January, they had a meeting between Lively, Baldoni, the producers, and Lively’s husband Ryan Reynolds.

Wayfarer Studios agreed to have a full-time intimacy coordinator.

It was noticed by social media accounts Reynolds had blocked Baldoni on Instagram.

Upon the film’s release, the cast, including Lively and author Hoover, informed Sony and Wayfarer they would not appear alongside Baldoni.

The media presented this as a disruption over Baldoni’s and Lively’s creative differences. The film distributor Sony supported Lively in hiring editors to create a different cut of the film, for which she received producer credit.

Sony had an official promotion plan instructing the cast to focus on the hopeful and uplifting aspects of the film instead of the domestic violence and focus on the floral film.

Lively faced backlash for her insensitivity; in return, Balodni’s PR team decided to highlight the survivors of Domestic Violence to help his interests.

Baldoni received an award this month for being an ally to women.

Following the complaint filed with the California Civil Rights Department against him, WME has since dropped Baldoni.

Lively continues to be represented by WME.

Melissa Nathan wrote in a message to Ms Abel: “and socials are really really ramping up. In his favour, she must be furious. It’s actually sad because it just shows you have people really want to hate on women.”

Nathan’s proposal to hire contractors, such as Jed Wallace, to lead a digital strategy to change the narrative. The hatred of Lively increased on TikTok with mass support to Baldoni.

It is impossible to determine the extent to which social media accounts or reporters were involved.

Kjersti Flaa, a reporter, posted clips with Johnny Depp with #JusticeForJohnnyDepp in 2022 amongst the Amber Heard smear campaign.

Flaa also re-uploaded a clip from a 2016 interview with Lively, who snapped back after her baby bump comment, which further branded Lively as a mean girl.

A document claimed to read the team planted stories about the weaponism of feminism, like women such as Taylor Swift, who have been accused of utilising these tactics to bully others into getting what they want.

Taylor Swift is friends with Lively and her husband, Reynolds.

Swift has been named Person of the Year by Times Magazine twice, once in 2016 during her sexual assault trial against former DJ David Muller and in 2023, following her successful Eras Tour re-claiming her stolen music by Scooter Braun.

Swift became the first mass-cancelled celebrity on Twitter following Kanye’s leaked phone call, found to be edited years later, and the Famous music video in which he made a naked waxwork used to humiliate and harass Swift.

A social media post featuring Braun (a stakeholder in Ms Nathan’s PR Company), Kanye West, and Justin Bieber increased the cancellation.

It was impossible to escape the Kanye Swift feud in 2016; Swift went into hiding until she released her return album, Reputation.

Amber Heard escaped the Johnny Depp trial by moving to Spain with her daughter.

However, in 2022, TikTok feeds were clogged with content over the trial bashing Amber Heard and acting out scenes from their marriage.

A dystopian theatre production.

Lively, Heard, and Swift suffered through a similar smear campaign created through social media manipulation due to their inability to find the model of a perfect victim.

Even upon releasing the complaint, social media remains siding with Baldoni due to Lively’s past actions.

Mass disinformation campaigns are not subjected to politics; the tipping point of the far-right is to build a narrative of manipulative women, to attack reproductive rights, and to undermine the court system of sexual assault and harassment.

A society that already does not believe in women, a society built to hate them even more.

Before agreeing instantly with a social media post, consider researching the issue. Effective disinformation relies on information overload and an effective social media plan.

In a statement, Ms Lively said, “I hope that my legal action helps pull back the curtain on these sister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted.”

Taylor Swift has Masterminded us all with her New ‘Midnights (3 AM Edition)’ Album.

First Published via HUB Magazine when I was Culture Editor.

Date Published: 11th November 2022.

It has been an ongoing joke that Taylor Swift never sleeps as her music references midnight or two am. In typical Swift brilliance, she has turned that motif into an album concept. We join Taylor Swift at Midnight, only to be chaotically surprised with her 3 AM edition album.  

Swift and Jack Antonoff have worked together ever since ‘Out of the Woods’ in the ‘1989’ album. He worked alongside Aaron Dessner to produce Swift’s surprise albums ‘Folklore’ and ‘Evermore’. Antonoff is a force to be reckoned within the producer industry, winning the Producer of the Year Grammy last year. He produces your favourite pop artists including Lana Del Rey, Lorde, and his own band the Bleachers.  

‘Midnights’ can be recognised as a joint collaboration between Jack Antonoff and Taylor Swift. This is not to place doubt on Taylor Swift’s ability. She has proven herself time and time again. Ever since she made a change to Republic Records, she has been working with her best friends, including Dylan O’Brien who plays the drums on the album. 

While ‘Evermore’ is my all-time favourite album, ‘Midnights’ comes at a close second. It was a pleasant surprise to see 3 AM edition including Aaron Dessner who produced the majority of ‘Evermore’ and her soundtrack song ‘Carolina’.  

‘Midnights’ also introduces Zoe Kravitz as a writer on Swift’s album, who also works with Jack Antonoff in her band ‘LOLAWOLF’.  ‘Lavender Haze’ is Swift’s magically return to mainstream pop instead of her alternative pop albums of ‘Folklore’ and ‘Evermore’.  

‘Anti-hero’ was the first music video of ‘Midnights’, self-directed by Swift. The video has ‘Alice in Wonderland’ references in the teatime section. Swift has previously referenced ‘Alice in Wonderland’ in her ‘1989’ bonus track ‘Wonderland’. Perhaps used to signify that Swift feels left out of the music industry. Her other personas are split into the girl next door imagery that surrounded her image between her debut album till her ‘1989’ album and the other persona between ‘Reputation’ and ‘Evermore’. All these personas are both Swift and not Swift at the same time. In her ‘Miss Americana’ documentary, she notes that female musicians have to reinvent themselves more than male musicians and find new shiny parts of themselves the public admires. 

‘Anti-hero (feat. Bleachers)’ is the long-awaited collaboration between Antonoff’s band ‘Bleachers’ and Taylor Swift. It is extremely different from most of Swift’s music, however, I kind of love the combination. Vaguely feels like how the Wallows would perform ‘Anti-hero’. Personally, I would choose to listen to this version rather than the original. Unless you are a Jack Antonoff fan you may be unaware of his writing and vocal abilities. Though Antonoff has been with Swift since her album ‘1989’ we have yet to hear his voice in her music till now. 

If you know anything about Swift it is that Track five is always the most painful, soul-crushing, and heart-wrenching song. ‘You’re On Your Own, Kid’ does not disappoint, the bridge is as beautiful as it is hurtful. The line that hurts me deeply is ‘your dreams aren’t rare’, it reflects our childhood innocence and the almost painful nativity in believing that we can do anything we want till we grow up and realise there are too many people who want our dreams. This song has the same climax feel as ‘The Archer’, except it has a relief of climate with the lines ‘you’re on your own kid/ you always have been’.  

‘Bejeweled’ is the second music video from Swift’s ‘Midnights’, once again self-directed. It stars her best friends including the HAIM sisters who have collaborated with Swift on ‘No Body No Crime’ on ‘Evermore’ and ‘Gasoline’. One of the many easter eggs in the music video may be the similarity between Antonoff playing the prince in ‘Bejeweled’ and in the Bleachers ‘Don’t take the money’ music video. This was clearly a hint for the Bleachers collaboration with Swift on her song ‘Anti-hero’. ‘Bejeweled’ takes the Cinderella fairy story applying it to Swift’s life. Notably, this music video takes place after the ‘Willow’ music video. The golden string has transformed into sick, implying she has moved on from the invisible string that led her to the woods with ‘Folklore’ and ‘Evermore’. The music video also stars Oscar winner Laura Dern as the evil stepmother. Zoe Kravitz also appears in a portrait behind the Queen. If ‘Lavender Haze’ and ‘Midnight Rain’ weren’t obvious enough, Swift once again rejects a proposal from a man (seen previously in the two thousand and nineteen ‘ME! Feat Brendon Urie’). 

‘Karma’ shook the Swift community when the title track was announced. Swift is truly a Mastermind. The track title can be seen twice in ‘The Man’ music video which was Swift’s directorial debut. During her promotion for ‘Red (Taylor’s Version)’ she hinted at leaving easter eggs three years in advance on The Tonight Show Starring Jimmy Fallon. 

‘Glitch’ is one of the most satisfying songs on the album. It scratches part of my brain each time I hear it. Swift is known for her beautiful bridges throughout her musical career. However, this song contains the most sensual bridge of the entire album. It has the recognisable beat of Sam Dew, his only other co-written song on this album is ‘Lavender Haze’. Along with Swift and Antonoff, Sam Dew has made his mark on the pop music industry. I would argue both ‘Glitch’ and ‘Lavender Haze’ are the most likely to cause you to break into dance. 

‘Would’ve, Could’ve, Should’ve’ joins Swift’s collection of religious guilt songs. The painful bridge builds us up for one of Swift’s most rageful verses. It is almost as if you can hear the rage and pain infused in the lyrics and her voice: ‘Living for the thrill of hitting you where it hurts/ Give me back my girlhood/ It was mine first’. This lyric stands out as she extends ‘first’ to cut deeply. It reminds me of her high note in ‘Don’t Blame Me’ during the breakdown ‘using for the rest of my life’. It should be no surprise, co-written by Dessner and Swift, that this makes my top song of ‘Midnights (3 AM Edition)’.  

‘Dear Reader’ shares the same emotion as ‘Long Live’ from ‘Speak Now’. I can already see her on the piano, her last song of the evening on tour and remixing ‘Long Live’ and ‘Dear Reader’ together. Swift presents this song as the public figure of her is not real: ‘If you knew where I was walking/ To a house, not a home, all alone/ Cause nobody’s there’. This is one of Swift’s slowest songs on the album. It is beautifully enchanting and haunting.  

This album is full of pain, misery and angst covered up by pop sounds and beats which happens to be a Swift constant. Between ‘Forever Winter’ from ‘Red (Taylor’s version), almost the entire ‘Lover’ album and ‘Clean’ from the ‘1989’ album, Swift can create beautiful Pop songs with completely devasting lyrics. Swift has proven over and over that she is an incredible lyricist and poet, especially in ‘Folklore’ and ‘Evermore’. I do believe that ‘Midnights’ is one of Swift’s best albums, however, ‘Evermore’ remains my favourite. 

References- 

HAIM and Taylor Swift. Gasoline. Universal Music, 2021. 

Antonoff, Jack and Lorde. Don’t Take The Money. Sony Music, 2017. 

Swift, Taylor. 1989. Big Machine, 2014. 

Swift, Taylor. Carolina. Republic Records, 2022. 

Swift, Taylor. Evermore. Republic Records, 2020. 

Swift, Taylor. Folklore. Republic Records, 2020 

Swift, Taylor. Lover. Republic Records, 2019. 

Swift, Taylor. Midnights (3 AM Edition). Republic Records, 2022. 

Swift, Taylor. Red (Taylor’s Version). Republic Records, 2021. 

Swift, Taylor. Reputation. Big Machine, 2017.

Swift, Taylor. Speak Now. Big Machine, 2010. 

Wilson, Lana. Miss Americana. Tremolo Productions, 2020.